What is the difference between climax and turning point

Forster argues that works must generally have a mixture of flat and round characters in order to represent the world as we tend to perceive it, so he does not automatically assign a derogatory connotation to flat characters.

Foreshadowing often involves the creation of mood or atmosphere that suggests an eventual outcome think of all the times Poe's narrator, Monstresor, in "The Cask of Amontillado," refers to the bones, spider-webs, and mildewed dampness of the underground catacombs he is walking through with Fortunato.

Foreshadowing also involves the introduction of objects, facts, events or characters that hint at or otherwise prefigure a developing situation or conflict, OR, the exposition of certain character traits that allow the audience or reader to anticipate the character's actions or fate.

Occasionally the theme or conclusion of a work is foreshadowed by its title. The playwright Anton Chekhov once said, "if there is a gun hanging on the wall in the first act, it must be fire in the last. The term derives from the Latin word for "mask" and literally refers to that though which sound passes. Although the persona often serves as the "voice" of the author, it nonetheless should not be confused with the author, for the persona may not accurately reflect the author's personal opinions, feelings, or perspective on a subject.

Alfred Prufrock is a notable example of a poetic persona, as is Pip, who narrates Great Expectations. The climax is the turning point of a story. It is the emotional high point or the point of highest tension in the story. A climax plays an important role in the conflict since it is necessary in order to resolve the conflict. This is the part where the direction of the story is decided. The climax of a story is the part where all the readers are waiting for — a battle, a revelation, clash between the antagonist and the protagonist, etc.

Climax is the point where the conflict is at its highest. Conflict is introduced at the exposition itself. Image 2 by N. Scanned by Dave Pape. Man versus Man. The turning point is an important part of all stories because it brings out the final action that is necessary for the narrative to end. Without turning points, narratives would be incomplete and boring—all audiences read and watch stories with the expectation that the action will climb to a peak, and then work back down to a conclusion.

Already we knew that there was one room in that region above stairs which no one had seen in forty years, and which would have to be forced. They waited until Miss Emily was decently in the ground before they opened it.

The violence of breaking down the door seemed to fill this room with pervading dust. A thin, acrid pall as of the tomb seemed to lie everywhere upon this room decked and furnished as for a bridal…Upon a chair hung the suit, carefully folded; beneath it the two mute shoes and the discarded socks. The story concludes just a few sentences after the last line above.

In the following passage, he begs the ghost for his life:. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach.

Oh, tell me I may sponge away the writing on this stone! In his agony, he caught the spectral hand. It sought to free itself, but he was strong in his entreaty, and detained it. The Spirit, stronger yet, repulsed him. It shrunk, collapsed, and dwindled down into a bedpost. The bed was his own, the room was his own.

Best and happiest of all, the Time before him was his own, to make amends in! With these words Scrooge starts to be the man that the audience has hoped he would become.